Black, Indigenous, and People of Color dance artists and teachers have undertaken immense labor to enact anti-racist work. These resources below must be activated by white accomplices to end white supremacy. - Anna
Dance in American Colleges/Universities
Here Black Dance Scholarship by Black Dance Scholars
Here Message from Ohio State University Dance Department chair Dr. Nadine George-Graves
Here Grad students at Ohio State University formed an Anti-Racist Working Group (formed 2019) have been leading workshops
Here Dance Studies Association statement and action-plan
Here Dancing While Black journal launch video conversation
Here Nyama McCarthy-Brown’s book Dancing Pedagogy for a Diverse World
Here Recognizing Systemic Racism in Dance
Here Are College Curriculums Too White
Here SDSU Pledge to make by faculty
Here For Black Feminists
Teaching and Academia
Here Academics for Black Survival and Wellness: Anti-Racist Resources LIST
Here Academics for Black Survival and Wellness: Take Action LIST
Here Teachers must hold each other accountable
Here White Academics, Do Better
Here Speaking up at school guide
Here Letter to my colleagues
Here Your Black colleagues are not okay
Here Why I will be offering my courses online this fall
Dance as Protest
Here NYTimes Black Lives Matter protests in dance
Here Washington Post dance in LA protests
Here Dance Protest List by MiRi Park:
Al Jazeera English. 13 June 2020. https://youtu.be/SeE5uUk_5_g
O’Neill, Gayle. “How Amisha Harding became an accidental activist amid Black Lives Matter protests.” ARTSATL.org. 11 June 2020. https://www.artsatl.org/how-amisha-harding-became-an-accidental-activist-amid-black-lives-matter-protests/
Roy, Sanjoy. “How the Electric Slide became the Black Lives Matter protest dance.” The Guardian. 11 June 2020. https://www.theguardian.com/stage/2020/jun/11/how-the-electric-slide-became-the-black-lives-matter-protest-dance
Burke, Siobhan. “Dancing Bodies That Proclaim: Black Lives Matter.” The New York Times. 9 June 2020. https://www.nytimes.com/2020/06/09/arts/dance/dancing-protests-george-floyd.html
Minsker, Evan. “From Techno to Go-Go, How Music Is Moving Protests Around the World.” Pitchfork. 7 June 2020. https://pitchfork.com/news/from-techno-to-go-go-how-music-is-moving-protests-around-the-world/
Dance Institutions
Here: Melanie Greene and J. Boey in NYTimes with multiple activist dance artists organizing referenced
Here: Creating New Futures documents
Here: An Open Letter to Arts Organizations Rampant with White Supremacy by dance artist Nana Chinara and directly also towards Gibney
Here: Dance Union Town Hall for Collective Action zoom conversation
Here: The Deafening Silence of Dance Organizations by Gregory King
By MiRi Park: Critical Dance Studies readings about dance and protest/choreography of protest:
These readings are organized by DATE (most recent to least)
Brown, Bernard. “Come Unity: Activism in the Virtual Realm.” The Activist History Review. Feb. 4, 2020. https://activisthistory.com/2020/02/04/come-unity-activism-in-the-virtual-realm/
Easter, Makeda, and Steve Saldivar. “These LA dancers are changing the way people protest.” LA Times, April 28, 2017. https://www.latimes.com/la-et-cm-street-dance-activism-20170420-story.html.
Bell, Shamell. “MOVEMENT | Shamell Bell's Street Dance Activism | Dance Docs.” YouTube, uploaded by DanceOn, 9 Oct. 2017. https://youtu.be/PKyeIymsjGY.
Chenoweth, Ellen and Gregory King. “When Dance Voices Protest.” Conversations Across the Field of Dance Studies. vol. 36, 2016, pp. 55-63.
Kedhar, Anusha. “‘Hands Up! Don’t Shoot!’: Gesture, Choreography, and Protest in Ferguson.” The Feminist Wire, October 6, 2014. http://www.thefeministwire.com/2014/10/protest-in-ferguson/.
Kwan, SanSan. Kinesthetic City: Dance and Movement in Chinese Urban Spaces. Oxford UP, 2013.
Mattingly, Kate. Keith Hennessy Questions the Economy to Create Turbulence, September 1, 2012.
Goldman, Danielle. “Bodies on the Line: Contact Improvisation and Techniques of Nonviolent Protest.” Dance Research Journal, vol. 39, no. 1, 2007, pp. 60–74. www.jstor.org/stable/20444684.
Gere, David. How to Make Dances in an Epidemic: Tracking Choreography in the Age of AIDS. University of Wisconsin Press, 2004.
Foster, Susan Leigh. “Choreographies of Protest.” Theatre Journal, vol. 55, no. 3, 2003, pp. 395–412. JSTOR, www.jstor.org/stable/25069277.
Bazemore, Dawn Marie. “Dance and Activism: The Practice and Impact of Sociopolitical Concert Dance.” dancercitizen.org. nd. http://dancercitizen.org/issue-1/dawn-marie-bazemore/
By MiRi Park: Related Readings from the fields of Performance Studies, social movement studies, intersectional feminism (alpha-order):
Anzaldua, Gloria. The Bridge Called My Back. 2015, 2008, 1983, 1981 (1st ed).
Brooks, Daphne. Bodies in dissent: Spectacular performances of race and freedom, 1850-1910. Duke UP, 2006.
Cohen Cruz, Jan. Radical Street Performance: an international Anthology. New York: Routledge, 2013. Introduction excerpts: Agit-prop, Witness, Integration, Utopia, Tradition.
Cox, Aimee. "Moving the Field: Young Black Women, Performances of Self, and Creative Protest in Postindustrial Spaces." Feminist Activist Ethnography: Counterpoints to Neoliberalism in North America (2013): 181-200.
Gottschild, Brenda. The black dancing body: A geography from coon to cool. Springer, 2016.
Fuentes, Marcela A. "Performance Constellations: Memory and Event in Digitally Enabled Protests in the Americas." Text and Performance Quarterly 35.1 (2015): 24-42.
Fuentes, Marcela A. "Performance, Politics, and Protest.” in What is Performance Studies? Duke UP, introduction and online resource (2012). http://scalar.usc.edu/nehvectors/wips/performance-politics-andprotest
Fuentes, Marcela A. Performance Constellations: Networks of Protest and Activism in Latin America. University of Michigan Press, 2019.
Fuentes, Marcela Alejandra. "‘Investments Towards Returns’: Protest and Performance in the Era of Financial Crises." Journal of Latin American Cultural Studies 21.3 (2012): 449-468.
Kershaw, Baz. "Ecoactivist Performance: The Environment As Partner in Protest?." TDR/The Drama Review, 46.1 (2002): 118-130.
Klien, Michael. Choreography as an Aesthetics of Change. 2008. Edinburgh College of Art, PhD dissertation. http://michaelklien.com/resource/download/phd-klien-main-document.pdf
Kealiinohomoku, Joann. "An anthropologist looks at ballet as a form of ethnic dance." Impulse 20 (1970): 24-33.
Kuppers, Petra. Disability culture and community performance: Find a strange and twisted shape. Springer, 2011.
Lepecki, André. The Choreopolitical: Agency in the Age of Control in Routledge Companion to Art and Politics. Randy Martin, Ed. New York: Routledge, 2015, p. 44-52.
Madison, D. Soyini. “Act III: Acts of Activism.” Acts of Activism: Human Rights as Radical Performance. Cambridge, U.K.: Cambridge University Press. 2010. 157-223.
McKenzie, Jon. "Abu Ghraib and the Society of the Spectacle of the Scaffold." Violence performed: Local roots and global routes of conflict (2009): 338-356.
Muñoz, José Esteban. Disidentifications: Queers of color and the performance of politics. Vol. 2. U of Minnesota Press, 1999.
Phelan, Peggy. Unmarked: The politics of performance. Routledge, 2003.
Wong, Yutian, ed. Contemporary Directions in Asian American Dance. University of Wisconsin Pres, 2016.
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Here White Privilege: Unpacking the Invisible Knapsack
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Here Introduction to Pushout: The Criminalization of Black Girls in Schools by Monique E. Morris